
In 2003 he founded TT Filmműhely, an independent film workshop that was led by him until 2011. TT Filmműhely produced his latest films and Tarr acted as producer on other remarkable filmmakers’ movies, including Miklos Jancso. The international film school film.factory in Sarajevo was founded by Tarr in 2012; he was the head of the programme and professor till 2016. Tarr remains a visiting professor at several film academies. He is the president of the Hungarian Filmmakers’ Association, a member of the Széchenyi Academy of Letters and Arts, has been given the most prestigious Hungarian prize for artists, the Kossuth Prize and the Hungarian prize for filmmakers, Balázs Béla Prize. He was named a Chevalier dans l’Ordre des Arts et Lettres and was honored with numerous remarkable national, international awards, honorary doctorates and life achievement awards.
His filmography includes Family Nest / Családi tüzfészek (1977), Hotel Magnezit (short film) (1978), The Outsider / Szabadgyalog (1981), Macbeth (feature/TV movie, video) (1982), The Prefab People / Panelkapcsolat (1982), Almanach of Fall / Öszi almanach (1985), Damnation / Kárhozat (1988), City Life – Segment The Last Boat / Utolsó hajó (1989), Sátántangó (1994), Journey on the Plain (short film, video) (1995), Werckmeister Harmonies / Werckmeister harmóniák (2000), Visions of Europe – Prologue segment (short film) (2004), The Man from London / A londoni férfi (2007), and The Turin Horse / A torinói ló (2011). After his self-proclaimed retirement from filmmaking, he embarked on a new creative path with his highly acclaimed exhibition Till the End of the World seen by 40000 visitors at the Eye Film Museum Amsterdam in 2017. His monumental production Missing People, presented exclusively during the Wiener Festwochen 2019 at the filming location itself, has shown Tarr experimenting with a new format in the intersection of film, installation and performance, which he described as a „visual poem“.[/ultimate_modal]
Béla Tarr Filmmaking workshop
-Each of them will have to shoot a minimum of one scene during this time.
Workshop Program:
-These days are also used for collecting the crews. Crew can be formed from the group, but you can also have external members.
– Afterwards, start the shootings – two parallel shootings a day. Everybody has one day of shooting. The last day is the rough cut and finally screening.